I wondered what would be made of this (2010) Metropolitan Opera production of La Traviata by
anyone who did not know its usual belle époque staging. Violetta enters
during the prelude and walks through a brain shaped purgatory towards
an oversized clock over which God presides. This is fine for the prelude
but as the rest of the opera is set in the utterly superficial realm of
society, there is only so much that the psycho/purgatorial setting can
do for it before the dramatic tension of the plot makes it seem
desperate for relevance. But the singing was superb, starring Sonya
Yoncheva and Michael Fabianao, who are part of the new push for young
and pretty opera stars to replace some fabulous singers of yore who have
been given the boot because they don’t look good on cinema simulcasts.
Watch Sonya Yoncheva and Michael Fabiano in an excerpt from La Traviata:
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